Civic Mindedness in Art
Design Social Change by
Discover design strategies for using your own unique social identities and experiences as inspiration to challenge the status quo and create the kind of lasting change that leads to greater equity and social justice, from Stanford University's d.school. Who are you? What motivates you as a changemaker? What forces are preventing you (and others) from thriving? These questions are essential to the work of creating social change, and they are exactly what Design Social Changeasks you to explore. Designer and design educator Lesley-Ann Noel shares the essential design strategies for making a lasting impact. This work starts with knowing yourself and builds outward into making change in your community and the larger world. Design Social Changegives you tools to tailor your approach todesign, taking into account your history, personality, ethics, and goals for a better future. The strategies for change are based on equity and fairness, understanding your own role in these systems of both justice and inequity. These strategies demonstrate how to use anger, joy, and empathy as inspiration for understanding what people need to thrive. Using the tools of design, these new approaches will help you craft projects that are relevant to you and create more just, equitable futures.The time is always right to work toward a fair and just society.
Call Number: HM831 .N64 2023ISBN: 1984858149Publication Date: 2023
Developing Civic Engagement in Urban Public Art Programs by
What can public art do for a community? How can city governments and others that create public art develop projects that build community and engage civil society? Creating Civic Engagement in Urban Public Art addresses these and other critical questions. It demonstrates how public art can build community unity, identity and cohesiveness. The focus of this original work is how cities engage their citizens through public art. What has been successful and what has failed? Through case studies of cities that have public art programs - some successful at citizen engagement others less so - the reader will learn how to design public art programs that build community.
Call Number: ebookISBN: 9781442257290Publication Date: 2015
The Lure of the Social: encounters with contemporary artists by
The Lure of the Social is an intimate and personal exploration into the key individuals, institutions, and gatherings that make up the field of socially engaged art. In this book of encounters, the reader follows Gretchen Coombs on her journey through what could be considered the most significant shift in art world practices in the last two decades. The book navigates a spectrum: at one end, the author works closely with socially engaged artists as part of her ethnographic research; at the other, she tries to find critical distance from which to write about their art projects and the institutional structures that support their work, such as art schools and conferences. Readers are introduced to artists, their work, and the key debates and issues facing this emergent field. In the course of her study, Coombs analyzes the contradictions and paradoxes of this field of practice and gives expression to the artists working to make art relevant in times of social and political uncertainty.
Call Number: ebookISBN: 1789383226Publication Date: 2021
Local Actions: cultural activism, power, and public life in America by Call Number: ebookISBN: 0231502427Publication Date: 2004
The Social Design Reader by
The Social Design Reader explores the ways in which design can be a catalyst for social change. Bringing together key texts of the last fifty years, editor Elizabeth Resnick traces the emergence of the notion of socially responsible design. This volume represents the authentic voices of the thinkers, writers and designers who are helping to build a 'canon' of informed literature which documents the development of the discipline.The Social Design Reader is divided into three parts. Section 1: Making a Stand includes an introduction to the term 'social design' and features papers which explore its historical underpinnings. Section 2: Creating the Future documents the emergence of social design as a concept, as a nascent field of study, and subsequently as a rapidly developing professional discipline, and Section 3: A Sea Change is made up of papers acknowledging social design as a firmly established practice.Contextualising section introductions are provided to aid readers in understanding the original source material, while summary boxes clearly articulate how each text fits with the larger milieu of social design theory, methods, and practice.
Call Number: TS171 .R47 2019ISBN: 9781350026063Publication Date: 2019
Living as Form: socially engaged art from 1991-2011 by
A monumental, lavishly illustrated book that offers the first global portrait of a complex and definition-defying genre of cultural production. Over the past twenty years, an abundance of art forms have emerged that use aesthetics to affect social dynamics. These works are often produced by collectives or come out of a community context; they emphasize participation, dialogue, and action, and appear in situations ranging from theater to activism to urban planning to visual art to health care. Engaged with the texture of living, these art works often blur the line between art and life. This book offers the first global portrait of a complex and exciting mode of cultural production--one that has virtually redefined contemporary art practice. Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a landmark survey of more than 100 projects selected by a thirty-person curatorial advisory team; each project is documented by a selection of color images. The artists include the Danish collective Superflex, who empower communities to challenge corporate interest; Turner Prize nominee Jeremy Deller, creator of socially and politically charged performance works; Women on Waves, who provide abortion services and information to women in regions where the procedure is illegal; and Santiágo Cirugeda, an architect who builds temporary structures to solve housing problems. Living as Form contains commissioned essays from noted critics and theorists who look at this phenomenon from a global perspective and broaden the range of what constitutes this form. Contributing authors Claire Bishop, Carol Becker, Teddy Cruz, Brian Holmes, Shannon Jackson, Maria Lind, Anne Pasternak, Nato Thompson
Call Number: N8243.S65 L58 2012ISBN: 9780262017343Publication Date: 2012
The Everyday Practice of Public Art by
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
Call Number: N8825 .E94 2016ISBN: 9781138829206Publication Date: 2015
Tate Art Gallery Definitions
Socially Engaged Art
Socially engaged practice describes art that is collaborative, often participatory and involves people as the medium or material of the work.
Read more
Community Art
Community art is artistic activity that is based in a community setting, characterised by interaction or dialogue with the community and often involving a professional artist collaborating with people who may not otherwise engage in the arts
Journal Articles
Springgay, Stephanie. "Knitting as an aesthetic of civic engagement: re-conceptualizing feminist pedagogy through touch." Feminist Teacher, vol. 20, no. 2, winter 2010, pp. 111+. Gale Academic OneFile, link.gale.com/apps/doc/A245478500/AONE?u=mca_main&sid=bookmark-AONE&xid=14e873a4. Accessed 26 July 2024.
Cleveland, William. “Trials and Triumphs: Arts-Based Community Development.” Public Art Review, vol. 13, no. 1, Fall/Winter2001 2001, pp. 17–23. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=asu&AN=504979347&site=eds-live.
Project Zero Civic Mindness in Art
Experiential and Immersive Art
Experience Design: a participatory manifesto by
An engaging introduction to the cutting-edge discipline of experience design for students and practitioners in creative fields, including architecture, product design, gaming, exhibition design, and performance What does it mean to design experiences? Traditional design practices invite us to design things, and to use those things to solve problems. But experience is not a problem; it is life. Experience designers engage with unpredictability and the unknown, partnering with their audiences to generate possibility and relationality. Experience designers create worlds, craft narratives that leave the page and enter people's lives, and structure transformation. Broadly interdisciplinary and deeply human, experience design is a practice that at once embraces new technologies and offers a balm for our disconnected lives. In this playful, accessible, and visually engaging book, Burickson lays out ten basic principles for this emerging practice. Experience Design: A Participatory Manifesto invites the reader to stop making things and, instead, to craft the minutes and hours of human life. Rigorous and philosophical, the book guides the reader through the processes of empathic research; constructing worlds not just for fantasy fiction but in schools, communities, homes; and mastering the tools necessary to work coherently across disciplines to create new experiences. Whether you are a maker of immersive theater, an architect, a graphic designer, a community organizer, or just someone hoping to give a better gift, this book offers a vision of creating that is both new and as old as civilization.
Call Number: TS171 .B875 2023ISBN: 0300269471Publication Date: 2023
Experiential Design Schemas by
Experiential Design Schemas presents a new theoretical and practical framework for designing architectural experiences developed by two seasoned researchers, an architect, and a building scientist. The book delivers 45 experiential design schemas as generative design resources in a novel, multi-scalar networked language. Each schema is published as a modular four-page spread that explains the phenomena and potential feeling state, along with compelling precedents, supporting evidence and design guidelines. Their purpose is to help designers expand the delight, joy, serenity, and nature connections possible in buildings. The schema-based design guidance enables architects to choreograph positive experiences of dynamic and variable environmental conditions that connect people to Nature's rhythms.
Call Number: NA2750 .D35 2023ISBN: 9781957183732Publication Date: 2023
Participation by
Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists.The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter B rger, Jen-Luc Nancy, Edoaurd Glissant, and Felix Guattari, as well as the first translation into English of Jacques Ranci re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Helio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist. Copublished with Whitechapel Art Gallery, London
Call Number: NX456.5.I57 P37 2006ISBN: 0262524643Publication Date: 2006
The Art of Participation by
This new survey covers the rich and varied history of participatory art, from early happenings and performances to current practices that demand audience interaction. As the hallmarks of Web 2.0--browsing, sharing, collecting, producing--increasingly permeate every aspect of society, this timely project reveals the ways in which artists and viewers have approached the creation of open works of art. The featured artists include Marina Abramovic and Ulay, Vito Acconci, Joseph Beuys, John Cage, Janet Cardiff, Lygia Clark, Kit Galloway and Sherrie Rabinowitz, Dan Graham, Hans Haacke, Allan Kaprow, Lynn Hershman Leeson, Antoni Muntadas, Yoko Ono, Nam June Paik, and Erwin Wurm. Original essays by Rudolf Frieling, Boris Groys, Robert Atkins, and Lev Manovich identify seminal moments in participatory practice from the 1950s to the present day. A rich array of plates introduce work by all the artists in the accompanying exhibition, with reproductions of significant projects by other major figures--from Helio Oiticica, Joan Jonas, and Gordon Matta-Clark to Rirkrit Tiravanija and SUPERFLEX--rounding out the survey.
Call Number: N7433.915 .A78 2008ISBN: 0500238588Publication Date: 2008
Virtual Art: from illusion to immersion by
Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. In this book, Oliver Grau shows how virtual art fits into the art history of illusion and immersion. He describes the metamorphosis of the concepts of art and the image and relates those concepts to interactive art, interface design, agents, telepresence, and image evolution. Grau retells art history as media history, helping us to understand the phenomenon of virtual reality beyond the hype. Grau shows how each epoch used the technical means available to produce maximum illusion. He discusses frescoes such as those in the Villa dei Misteri in Pompeii and the gardens of the Villa Livia near Primaporta, Renaissance and Baroque illusion spaces, and panoramas, which were the most developed form of illusion achieved through traditional methods of painting and the mass image medium before film. Through a detailed analysis of perhaps the most important German panorama, Anton von Werner's 1883 The Battle of Sedan, Grau shows how immersion produced emotional responses. He traces immersive cinema through Cinerama, Sensorama, Expanded Cinema, 3-D, Omnimax and IMAX, and the head mounted display with its military origins. He also examines those characteristics of virtual reality that distinguish it from earlier forms of illusionary art. His analysis draws on the work of contemporary artists and groups ART+COM, Maurice Benayoun, Charlotte Davies, Monika Fleischmann, Ken Goldberg, Agnes Hegedues, Eduardo Kac, Knowbotic Research, Laurent Mignonneau, Michael Naimark, Simon Penny, Daniela Plewe, Paul Sermon, Jeffrey Shaw, Karl Sims, Christa Sommerer, and Wolfgang Strauss. Grau offers not just a history of illusionary space but also a theoretical framework for analyzing its phenomenologies, functions, and strategies throughout history and into the future.
Call Number: N7436.5 .G7313 2003ISBN: 0262072416Publication Date: 2002
Experience : culture, cognition, and the common sense by
A book that produces sensory experiences while bringing the concept of experience itself into relief as a subject of criticism and an object of contemplation. Experience offers a reading experience like no other. A heat-sensitive cover by Olafur Eliasson reveals words, colors, and a drawing when touched by human hands. Endpapers designed by Carsten Höller are printed in ink containing carefully calibrated quantities of the synthesized human pheromones estratetraenol and androstadienone, evoking the suggestibility of human desire. The margins and edges of the book are designed by Tauba Auerbach in complementary colors that create a dynamically shifting effect when the book is shifted or closed. When the book is opened, bookmarks cascade from the center, emerging from spider web prints by Tomás Saraceno. Experience produces experience while bringing the concept itself into relief as an object of contemplation. The sensory experience of the book as a physical object resonates with the intellectual experience of the book as a container of ideas. Experience convenes a conversation with artists, musicians, philosophers, anthropologists, historians, and neuroscientists, each of whom explores aspects of sensorial and cultural realms of experience. The texts include new essays written for this volume and classic texts by such figures as William James and Michel Foucault. The first publication from MIT's Center for Art, Science, & Technology, Experience approaches its subject through multiple modes. Publication design by Kimberly Varella with Becca Lofchie, Content Object Design Studio. Cover concept by Olafur Eliasson in collaboration with Kimberly Varella (Content Object). Contributors Tauba Auerbach, Bevil Conway, John Dewey, Olafur Eliasson, Michel Foucault, Adam Frank, Vittorio Gallese, Renée Green, Stefan Helmreich, Carsten Höller, Edmund Husserl, William James, Caroline A. Jones, Douglas Kahn, Brian Kane, Leah Kelly, Bruno Latour, Alvin Lucier, David Mather, Mara Mills, Alva Noë, Jacques Rancière, Michael Rossi, Tomás Saraceno, Natasha Schüll, Joan W.Scott, Tino Sehgal, Alma Steingart, Josh Tenenbaum, Rebecca Uchill
Call Number: N72.S6 E87 2016ISBN: 9780262035149Publication Date: 2016
Experiential Design
Engine Shop: A creative agency driven by curiosity.
With clients including Budweiser, Hilton, and Mercedes, Engine Shop’s award-winning design studio aims to build innovative experiences that tap into humanity’s innate curiosity and desire to explore. This creative experiential agency was awarded a 2022 Pro Award for Best Vehicle-Based Campaign for its Mercedes-Benz USA EQS launch sponsorship campaign at the US Open.
This campaign drew attention from fans and industry experts alike by incorporating crowdsourced energy into the experience for the electric vehicle. Innovative audio elements brought even more sensory impact, further showcasing the agency's skill in delivering fully immersive experiences.
Thinkwell Group: A multi-disciplinary innovation powerhouse for experiential design.
With immersive, experiential installations in 28 countries, Thinkwell Group is a global powerhouse. The innovative design agency became a part of the TAIT Group in 2022, gaining access to even more creatives, engineers, and facilities around the world. More than 430 million people have participated in experiences designed by Thinkwell.
Taking the power to connect people with exciting and engaging environments out of theme parks and into branded spaces, museum exhibits, and installations around the world, Thinkwell is known for its ability to create remarkable, immersive experiences—from the Samsung Oasis in Singapore to the Fernbank Museum’s NatureQuest in Atlanta, Georgia—that connect people with organizations in the physical world.
Superfly: Developing inspiring cultural experiences with passion and purpose.
Their design and execution of music festivals, album launches, immersive experiences, and more make Superfly, well, pretty fly. Awarded Agency of the Year by The Drum, this experiential design studio has lots to be proud of.
Counting brands ranging from Disney to The Atlantic among their clients, Superfly’s designs facilitate cultural connections between companies and their diverse audiences. Modern experiential design that is thoughtful, purpose-driven, and inclusive enables brands to communicate their values and support their audiences in pursuit of shared goals.
Asterisk* Design: Building environments that deliver engaging experiences.
With works installed in office buildings, multifamily housing, and public spaces, Asterisk* partners with organizations to create integrated brand experiences. The experiential design studio’s collaborative, audience-first approach ensures that each development is unique and on-brand.
The teams at Asterisk* work with partners including Gensler, STG Design and Content & Context to bring outstanding experiences to human-first environments.
Superblue
The power of art is needed now more than ever. That’s why our mission is to amplify artists’ voices who offer us new perspectives on the world around us. With over 50,000 square feet of immersive experiences by world-renowned artists, Superblue pushes the boundaries of what art can be.
Experiential and Immersive Artists and Projects
Superflex Studio was founded in 1993 by Jakob Fenger, Bjørnstjerne Christiansen, and Rasmus Rosengren Nielsen. Conceived as an expanded collective, SUPERFLEX has consistently worked with a wide variety of collaborators, from gardeners to engineers to audience members. Engaging with alternative models for the creation of social and economic organisation, works have taken the form of energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, and public spaces.
Yayoi Kusama: a retrospective by
The companion to the groundbreaking new retrospective at the Gropius Bau, this publication examines Kusama's life and work through wholly original insights by leading experts. The book traces the development of Kusama's creative output from her early paintings and accumulative sculptures to her immersive environments, as well exploring her lesser-known artistic activity in Europe and Germany in particular. It illuminates Kusama's commitment to political and social issues in Europe, the US and Japan. A diverse selection of images and archival documents feature alongside texts by authors from different theoretical backgrounds. Essays discuss Kusama's accomplishments in the worlds of fashion, film, art marketing and publishing. They focus on her engagement with different artistic spheres and offer genre-specific observations about her performances, installations and painting series. As panoramic and fascinating as its subject, this monumental retrospective guides viewers interested in Kusama towards a deeper understanding of her creative trajectory and of the breadth of her extraordinary career.
Call Number: N7359.K87 A4 2021ISBN: 9783791378824Publication Date: 2021
James Turrell: a retrospective by
Copublished with the Los Angeles County Museum of Art for the major touring retrospective and concurrent exhibitions at the Solomon R. Guggenheim Museum, New York and The Museum of Fine Arts, Houston, this comprehensive volume illuminates the origins and motivations of James Turrell's incredibly diverse and exciting body of work--from his Mendota studio days to his monumental work-in-progress Roden Crater. Whether he's projecting shapes on a flat wall or into the corner of a gallery space, James Turrell is perpetually asking us to "go inside and greet the light"--evoking his Quaker upbringing. In fact, all of Turrell's work has been influenced by his life experiences with aviation, science, and psychology, and as a key player in Los Angeles's exploding art scene of the 1960s. Enhanced by thoughtful essays and an illuminating interview with the artist, this monograph explores every aspect of Turrell's career to date--from his early geometric light projections, prints, and drawings, through his installations exploring sensory deprivation and seemingly unmodulated fields of colored light, to recent two-dimensional experiments with holograms. It also features an in-depth look at Roden Crater, a site-specific intervention into the landscape near Flagstaff, Arizona, which will be presented through models, plans, photographs, and drawings. Fans of this highly influential artist will find much to savor in this wide-ranging and beautiful book, featuring specially commissioned new photography by Florian Holzher
Call Number: N6537.T78 A4 2013ISBN: 9783791352633Publication Date: 2013
Olafur Eliasson: in Real Life by
An illustrated guide to the work of world-renowned installation artist Olafur Eliasson. Conceived as an illustrated a "field guide" to the work of Danish artist Olafur Eliasson (b. 1967), this stunningly produced book features a substantial conversation between the artist and Tate curator Mark Godfrey, as well as a collection of short dialogues with a strikingly varied range of people working both inside and outside the arts--from anthropology, economics, political science, and biology to architecture and urbanism, dance, music, and food. Eliasson builds such conversations into his daily life and work. They help him not only to understand other people's unique fields of knowledge, but also to ask, "What does my understanding of your knowledge do to my understanding of the world?" The interweaving of these texts with stunning photography of his remarkable and immersive works provides an insight into what Eliasson calls his ongoing aim of "reaching out into the world."
Call Number: N7053.O43 O43 2019ISBN: 9781849766326Publication Date: 2019
raumlabor is a collective of 9 architects who have come together in a collaborative work-structure. We work at the intersection of architecture, city planning, art and urban intervention. We address in our work city and urban renewal as a process.
Superflex Studio was founded in 1993 by Jakob Fenger, Bjørnstjerne Christiansen, and Rasmus Rosengren Nielsen. Conceived as an expanded collective, SUPERFLEX has consistently worked with a wide variety of collaborators, from gardeners to engineers to audience members. Engaging with alternative models for the creation of social and economic organisation, works have taken the form of energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, and public spaces.
Artists Collectives
Futurefarmers
We use various media to create work that has the potential to destabilize logics of "certainty". We deconstruct systems such as food policies, public transportation, campus design and rural farming networks to visualize and understand their intrinsic logics. Through this disassembly new narratives emerge that reconfigure the principles that once dominated these systems. Our work often provides a playful entry point and tools for participants to gain insight into deeper fields of inquiry- not only to imagine, but to participate in and initiate change in the places we live.
Native Artists Collective
Our vision is to provide Native and indigenous contemporary artists the resources and support they need to thrive and cultivate breakthroughs in mainstream art.
Critical Art Ensemble
Formed in 1987, CAE’s focus has been on the exploration of the intersections between art, critical theory, technology, and political activism.
Guerrilla Girls
The Guerrilla Girls are anonymous artist activists who use disruptive headlines, outrageous visuals and killer statistics to expose gender and ethnic bias and corruption in art, film, politics and pop culture. We believe in an intersectional feminism that fights for human rights for all people. We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.
teamLab
an international art collective. Their collaborative practice seeks to navigate the confluence of art, science, technology, and the natural world.
Yo Soy Collective
Provides a platform for creatives from Latin America to break creative boundaries. Since 2018, Yo Soy has been centering Latin American creative voices and curating projects for artists to create, connect and celebrate culture. Committed to values of courage, nourishment and experimentation, Yo Soy creates a space where ancestral magic intersects with contemporary cultural practice.
Justseeds
Decentralized network of 41 artists committed to social, environmental, and political engagement.
Institute for New Feeling
Committed to the development of new ways of feeling, and ways of feeling new. As a group, our identity is always shifting. Borrowing aesthetics and language from wellness and tech industries, market research, speculative design, political propaganda, we assume a familiar yet fragile voice of authority.
Assemble
Assemble is a multi-disciplinary collective working across architecture, design and art.
Godzilla: Asian American Arts Network
Established in 1990 to facilitate inter-generational and interdisciplinary dialogue and collaboration for Asian American artists and art professionals.
Graphic Workshop!!!
Speculative Design and Futurism
Speculative Everything: design, fiction, and social dreaming by
How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be--to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose "what if" questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more--about everything--reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.
Call Number: ebookISBN: 9780262318501Publication Date: 2013
Speculation by
A wide-ranging investigation of what speculation is, and what is at stake for artistic, curatorial, critical, and institutional practices in relating to their own speculative character. Engaging with the question of speculation in ways that encompass the artistic, the economic, and the philosophical, with excursions into the literary and the scientific, this collection approaches the theme as a powerful logic of contemporary life whose key instantiations are art and finance. Both are premised on the power of contingency, temporality, and experimentation in the creation (and capitalization) of possible worlds. Artistic autonomy, and the self-legislation of the space of art, have often been seen as the freedom to speculate wildly on material and social possibilities. In this context, the artist is seen as a speculative subject and a paragon of creativity-the diametrical opposite of the bean-counter obsessed with balance sheets and value added. However, once social reality becomes speculative and opaque in its own right-risky, algorithmic, and overhauled by networked markets-what becomes of the distinction between not just art and finance but art and life? This anthology surveys material and social inventiveness from the ground up, speculating with technologies, gender, constructs of the family, and systems of logistics and coordination. An ecology of speculation is traced-one that is as broken, specific, and enthralling as the world. Artists Surveyed include Bertolt Brecht, Jerzy Ludwinski, Cameron Rowland, Salvage Art Institute, Andy Warhol, Mi You, PiraMMMida, Sam Lewitt Writers Include Lisa Adkins, Ramon Amaro, Brenna Bhandar, Octavia Butler, Cedric Durand, Georg Wilhelm Friedrich Hegel, Sophie Lewis, Dougal Dixon, Stanisław Lem, Isabelle Stengers and Phillip Pignarre, Steven Shaviro, Can Xue, Daniel Spaulding
Call Number: N8600 .S683 2022ISBN: 9780262545334Publication Date: 2023
Discursive Design : critical, speculative, and alternative things by
Exploring how design can be used for good--prompting self-reflection, igniting the imagination, and affecting positive social change. Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. Discursive design (derived from "discourse") expands the boundaries of how we can use design--how objects are, in effect, good(s) for thinking. Discursive Design invites us to see objects in a new light, to understand more than their basic form and utility. Beyond the different foci of critical design, speculative design, design fiction, interrogative design, and adversarial design, Bruce and Stephanie Tharp establish a more comprehensive, unifying vision as well as innovative methods. They not only offer social criticism but also explore how objects can, for example, be used by counselors in therapy sessions, by town councils to facilitate a pre-vote discussions, by activists seeking engagement, and by institutions and industry to better understand the values, beliefs, and attitudes of those whom they serve. Discursive design sparks new ways of thinking, and it is only through new thinking that our sociocultural futures can change.
Call Number: ebookISBN: 9780262349987Publication Date: 2019
Critical Design in Context: history, theory, and practices by
Critical Design is becoming an increasingly influential discipline, affecting policy and practice in a range of fields. Matt Malpass's book is the first to introduce critical design as a field, providing a history of the discipline, outlining its key influences, theories and approaches, and explaining how critical design can work in practice through a range of contemporary examples. Critical Design moves away from traditional approaches that limit design's role to the production of profitable objects, focusing instead on a practice that is interrogative, discursive and experimental. Using a wide range of examples from contemporary practice, and drawing on interviews with key practitioners, Matt Malpass provides an introduction to critical design practice and a manifesto for how a radical and unorthodox practice might provide design answers in an age of austerity and ecological crisis.
Call Number: NK1505 .M32 2017ISBN: 9781472575173Publication Date: 2017
The Politics of Design: a (not so) global manual for visual communication by
Many designs that appear in today's society will circulate and encounter audiences of many different cultures and languages. With communication comes responsibility; are designers aware of the meaning and impact of their work? An image or symbol that is acceptable in one culture can be offensive or even harmful in the next. A typeface or colour in a design might appear to be neutral, but its meaning is always culturally dependent. If designers learn to be aware of global cultural contexts, we can avoid stereotyping and help improve mutual understanding between people. Politics of Design is a collection of visual examples from around the world. Using ideas from anthropology and sociology, it creates surprising and educational insight in contemporary visual communication. The examples relate to the daily practice of both online and offline visual communication: typography, images, colour, symbols, and information. Politics of Design shows the importance of visual literacy when communicating beyond borders and cultures. It explores the cultural meaning behind the symbols, maps, photography, typography, and colours that are used every day. It is a practical guide for design and communication professionals and students to create more effective and responsible visual communication.
Call Number: NK1505 .P38 2016ISBN: 9063694229Publication Date: 2016
"Guide to Futurism and Speculative Art Movements." Daise Blog. 18 July 2023.
Technoetic Arts: A Journal of Speculative Research. Issues from 2003-present
Speculative Artists
Patricia Piccinini : curious affection.Call Number: NB1105.P53 A4 2018ISBN: 1921503890Publication Date: 2018
Julie Buffalohead Website
Jablon, Sam. "Sedrick Chishom Interview: Painting that finds the figure in abstraction and abstraction in the figure." Bomb. May 24, 2024.
Toyin Ojih Odutola : A Countervailing Theory by Call Number: NC367.6.N5 O382 2020ISBN: 9780995708273Publication Date: 2020
The Last Pictures by
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and early 21st centuries, far outlasting anything else humans have created. Inspired in part by ancient cave paintings, nuclear waste warning signs, and Carl Sagan's Golden Records of the 1970s, artist/geographer and MacArthur "Genius" Fellow Trevor Paglen has developed a collection of one hundred images that will be etched onto an ultra-archival, golden silicon disc. The disc, commissioned by Creative Time, will then be sent into orbit onboard the Echostar XVI satellite in September 2012, as both a time capsule and a message to the future. The selection of 100 images, which are the centerpiece of the book, was influenced by four years of interviews with leading scientists, philosophers, anthropologists, and artists about the contradictions that characterize contemporary civilizations. Consequently, The Last Pictures engages some of the most profound questions of the human experience, provoking discourse about communication, deep time, and the economic, environmental, and social uncertainties that define our historical moment. Copub: Creative Time Books
Call Number: TR647.P34 A4 2012ISBN: 9780520275003Publication Date: 2012
Alternative Exhibition and Performance Spaces
The Social Life of Small Urban Spaces by Call Number: HT153 .W49 2001ISBN: 9780970632418Publication Date: 2001
New York art spaces, 1960 to 2010: Alternative Histories by
A groundbreaking history of pioneering alternative art venues in New York where artists experimented, exhibited, and performed outside the white cube and the commercial mainstream. This groundbreaking book--part exhibition catalogue, part cultural history--chronicles alternative art spaces in New York City since the 1960s. Developed from an exhibition of the same name at Exit Art, Alternative Histories documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated. Through interviews, photographs, essays, and archival material, Alternative Histories tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. Essays by the exhibition curators and scholars, and excerpts of interviews with alternative space founders and staff, provide cultural and historical context. Contributors Jacki Apple, Papo Colo, Jeanette Ingberman, Melissa Rachleff, Lauren Rosati, Mary Anne Staniszewski, Herb Tam Interviewees Steve Cannon, Rhys Chatham, Peter Cramer and Jack Waters, Carol Goodden, Alanna Heiss, Bob Lee, Joe Lewis, Inverna Lockpez, Ann Philbin, Anne Sherwood Pundyk and Karen Yama, Irving Sandler, Adam Simon, Martha Wilson
Call Number: N6535.N5 A25 2012ISBN: 9780262017961Publication Date: 2012
Charley Independents by
Charley Independents looks at international artist collectives and curatorial organizations that are initiating strategies for the distribution of art: 98 Weeks Research Project, Arrow Factory, Cemeti Art House, Invisible Academy, Latitudes, Light Industry, Mono.kultur, Collective Parasol, Post-Museum, Scrawl Collective and many others. Charley is sponsored by the Deste Foundation, Athens, Greece, which supports artist's projects, exhibitions, and symposia that explore the relationship between contemporary art and culture.
Call Number: N6497 .C45 2010ISBN: 9781935202318Publication Date: 2011
Ephemeral Spectacles, Exhibition Spaces and Museums by
This book examines ephemeral exhibitions from 1750 to 1918. In an era of acceleration and elusiveness, these transient spaces functioned as microcosms in which reality was shown, simulated, staged, imagined, experienced and known. They therefore had a dimension of spectacle to them, as the volume demonstrates. Against this backdrop, the different chapters deal with a plethora of spaces and spatial installations: the wunderkammer, the spectacle garden, cosmoramas and panoramas, the literary space, the temporary museum, and the alternative exhibition space.
Call Number: ebookISBN: 9789048542932Publication Date: 2021
On South Bank by
Through an in-depth ethnographic examination of London's 'South Bank', this book explores the value widely presupposed on urban public space. Based on subjective accounts of the value of public space, as well as observations of how the South Bank is used and 'practised' on a daily basis, it argues that this value is not so much inherent to physical public space itself as it is derived through the everyday use and production of that space. Public space is valued not only for its essential material characteristics but also for the productive potential that these characteristics, if properly managed, afford on a daily basis.
Call Number: ebookISBN: 9781409440048Publication Date: 2014
Encountering Urban Places: visual and material performances in the city by
The aesthetics of urban life offer a curious quality, one that is both highly visible and hidden, both openly influencing and subtly imprinting. Exploring the encounter with the aesthetics, images and material design of urban life, this book offers analytic insights into contemporary urban space.
Call Number: ebookISBN: 9780754693369Publication Date: 2007
The Radical Bookstore: counterspace for social movements by
Examines how radical bookstores and similar spaces serve as launching pads for social movements How does social change happen? It requires an identified problem, an impassioned and committed group, a catalyst, and a plan. In this deeply researched consideration of seventy-seven stores and establishments, Kimberley Kinder argues that activists also need autonomous space for organizing, and that these spaces are made, not found. She explores the remarkably enduring presence of radical bookstores in America and how they provide infrastructure for organizing--gathering places, retail offerings that draw new people into what she calls "counterspaces." Kinder focuses on brick-and-mortar venues where owners approach their businesses primarily as social movement tools. These may be bookstores, infoshops, libraries, knowledge cafes, community centers, publishing collectives, thrift stores, or art installations. They are run by activist-entrepreneurs who create centers for organizing and selling books to pay the rent. These spaces allow radical and contentious ideas to be explored and percolate through to actual social movements, and serve as crucibles for activists to challenge capitalism, imperialism, white privilege, patriarchy, and homophobia. They also exist within a central paradox: participating in the marketplace creates tensions, contradictions, and shortfalls. Activist retail does not end capitalism; collective ownership does not enable a retreat from civic requirements like zoning; and donations, no matter how generous, do not offset the enormous power of corporations and governments. In this timely and relevant book, Kinder presents a necessary, novel, and apt analysis of the role these retail spaces play in radical organizing, one that demonstrates how such durable hubs manage to persist, often for decades, between the spikes of public protest.
Call Number: ebookISBN: 9781452963365Publication Date: 2021
Space-Body-Ritual: performativity in the city by
Set against the contemporary thinking of the city as a spectacle, Space-Body-Ritual: Performativity in the City establishes everyday life in the city as a ground for authentic experience. Reena Tiwari emphasizes the city as a space of lived experience-an intricately layered space giving people a poetic experience, responding to their memories and desires. She also explores the conflict between two ideas: the idea of thee 'city as text' to be read and understood from a distance, and the 'city as body,' where the body, after writing the text through its performance, achieves the capacity to read and understand it. SpaceDBodyDRitual demonstrates that the abstract 'seeing' embedded in the 'city as a text' is underwritten by the idea of power operating at deeper levels in the city. This hidden power is the power of the user's body in space. Furthermore, Tiwari proposes that an understanding of the 'city as body' through lived experience-through rhythmanalysis, where rhythms of everyday and extra everyday practices are understood-leads to the design of an environment that is evocative and is able to generate a bodily response from the user. To understand the rhythms, it becomes essential to know the way users inhabit, understand and map or present the city spaces by their bodies. SpaceDBodyDRitual will compel its readership to think of the parameters of spatial design as cultural generator.
Call Number: ebookISBN: 9780739147634Publication Date: 2010
Interdisciplinary Arts
Interdisciplinary art education : building bridges to connect disciplines and cultures by Call Number: N350 .I688 2005ISBN: 9781890160319Publication Date: 2005
